By utilizing universal gesture and essence of being to create performance experiments, our work seeks to inform singular worlds where artists and public become mutually informing events in an urban landscape. In our contemporary dances we explore the literacy that comes from the inner technologies of the human body. Through these technologies we connect to people and tell our stories.

Our daily materials include: time, speed, fragility of existence, and sound. These materials shape our individual kinetic imprints and it is with these materials that we find new movement.

After forging through a forest of universal gesture and moving from the inside out, our movements are organized into a conversation; a dialogue and a challenge. This, we feel, affords us a more democratic approach to performance. We are plugging dance into the center of everyday life. Put together, these dances appear to be part choreography and part interactive art installation.

Experimenting with journey as form, our dances often find themselves in non-traditional spaces, seeking fresh ways of fluidity and flexibility in the public. These choreographed migrations are a response to globalization—the dance of our time—and are envisioned as conduits for social exchange and dialogue.

In our work is a vivid line which refers to the whereabouts of mankind’s existence. Our work shares a synergy with art forms, blending classical elements with the complexity and groove of today’s urban culture. The dances we make enjoy being collaborative agents for inter-disciplinary experiments.

We are committed to the journey form, as a moving philosophy and as a means to achieving deeper states of human existence and camaraderie with other species.